Is it hard to learn piano at an older age? – How To Learn Piano Notes Quickly Meaning
It’s hard to learn all the notes at an older age because piano is a very advanced skill and you’ll need to develop a lot of muscle memory and technique. You can practice with a piano, but once you’ve learned a certain number of notes it’s hard to play those notes with the same technique. The difficulty is also a reflection of the level of talent and ability you have to pick strings at that time.
Are there any musical challenges you’ve had to overcome?
My first two recordings were in a choir with three musicians: the violinist, cellist and bassist. I had only one string and would play it when I heard the notes in the music. This was a very difficult instrument to learn.
Then a few years later, we had a violin player and we had an ensembling of five musicians. They were not only my students but students of many of the great teachers of the choir, including Wolfgang Amadeus Mozart, Franz Liszt and Richard Strauss. They played with great virtuosity but with only one hand and couldn’t really imitate anything.
But my two recent recordings [on the new CD] sound much better. They’re very good. I hope that all my music will sound this well. The violin and cello I was playing were all very bad, but we learned how to play them in this way.
What’s the most popular piece in your repertoire?
I don’t like to go for the number 1 because my songs have to be very accessible for people. But I can’t say that I’m the most popular. That would not be fair to other composers.
Is it difficult to find music in the classical tradition?
Yes, absolutely. The world is full of music composed before the 18th century. But you need to know what that music is; you can’t make it in your room. So if your wife listens to your old records, she wouldn’t like them!
Which is your favourite piece from the Baroque?
I like to have a variety in my music. I like to have a lot of the classical styles — Baroque, classical, jazz.
What is your role as patron of the symphony orchestra?
I’m the conductor and director. I would like to see something that would be great in Germany but would be great overseas. I would like to make it so that the audience could follow along with the orchestra. Otherwise there
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